New painting corpus · Rome · 2026
STANZE
A new corpus about rooms: solitude, love, suffering, adolescence and maturity, from the first instant of a love to its end.


31 works · digital painting and AI · projects for unique works on paper
A psychic atlas in thirty-one roomsA continuing genealogy
The room has never been a backdrop.
Since 2008, Massimo Scognamiglio has returned to the room as an architecture of the inner life. STANZE does not close that history: it opens its newest threshold.
- 01
Cycle of Rooms
The room appears as a mental perimeter: bodies, corners, thresholds and silences.
- 02
Rooms, again
The figure returns to test what has changed in desire, age and memory.
- 03
The Gold Standard
Gold becomes light, value and distance inside the inhabited space.
- 04
STANZE
Words, digital painting, AI, paper, tearing and gold leaf enter the same living body.
The new corpus
Love begins in a room. It often ends there too.
These works move between solitude and proximity. A body waits, two bodies touch, a couple separates, children remain alone, sleepers abandon themselves to the ground. Adolescence and maturity share the same rooms, but they do not inhabit them in the same way.
Red, black, earth and gold do not describe interiors: they measure emotional pressure. Walls expand around a single figure or collapse around an embrace. What is outside becomes increasingly remote, until the world remains beyond the room.
STANZE continues the artist’s historical research into the human figure and psychic space while changing the process that brings the image into being.
Digital painting · Artificial intelligence
The machine reads the subconscious.
AI is not asked to invent an artist. It receives language, memory, obsessions and visual decisions. The prompt becomes a transmission: words cross the machine and return as an image to be judged, altered and brought back into matter by the artist.
“My words transmit my soul at 300,000 km per second.”
Complete visual archive
01—10The body enters the room
Identity, desire and the first proximity. The room observes before it judges.

Man
Digital painting and AI · project for a work on paper with manual intervention · 2026

Woman
Digital painting and AI · project for a work on paper with manual intervention · 2026

The Red Room
Digital painting and AI · project for a work on paper with manual intervention · 2026

Memory of a Day of Sex at Twenty-Five
Digital painting and AI · project for a work on paper with manual intervention · 2026

ID
Digital painting and AI · project for a work on paper with manual intervention · 2026

After Sex
Digital painting and AI · project for a work on paper with manual intervention · 2026

After Sex II
Digital painting and AI · project for a work on paper with manual intervention · 2026

The Ego in Its Golden Room
Digital painting and AI · project for a work on paper with manual intervention · 2026

The Red and the Black
Digital painting and AI · project for a work on paper with manual intervention · 2026

Sacrifice
Digital painting and AI · project for a work on paper with manual intervention · 2026
Complete visual archive
11—20Learning to lose
Love, adolescence and farewell. Every gesture already contains its after-image.

The End of a Love I
Digital painting and AI · project for a work on paper with manual intervention · 2026

The End of a Love II
Digital painting and AI · project for a work on paper with manual intervention · 2026

Farewell
Digital painting and AI · project for a work on paper with manual intervention · 2026

A Boy I
Digital painting and AI · project for a work on paper with manual intervention · 2026

A Boy II
Digital painting and AI · project for a work on paper with manual intervention · 2026

A Boy III
Digital painting and AI · project for a work on paper with manual intervention · 2026

Two Lonely Children
Digital painting and AI · project for a work on paper with manual intervention · 2026

The Kiss
Digital painting and AI · project for a work on paper with manual intervention · 2026

Nothing Close to Me
Digital painting and AI · project for a work on paper with negative tearing · 2026

Five Boys Sleeping on the Grass
Digital painting and AI · project for a work on paper, tearing and gold-leaf patch · 2026
Complete visual archive
21—31What remains outside
The wound becomes landscape; sleep, disillusion and the sacred close the sequence.

Boy with a Gun I
Digital painting and AI · project for a work on paper with manual intervention · 2026

Boy with a Gun II
Digital painting and AI · project for a work on paper with manual intervention · 2026

The End of a Love II
Digital painting and AI · project for a work on paper with manual intervention · 2026

Sleeping Together
Digital painting and AI · project for a work on paper with manual intervention · 2026

Disillusion I
Digital painting and AI · project for a work on paper with manual intervention · 2026

Disillusion II
Digital painting and AI · project for a work on paper with manual intervention · 2026

Disillusion III
Digital painting and AI · project for a work on paper with manual intervention · 2026

The World Stayed Outside
Digital painting and AI · project for a work on paper with manual intervention · 2026

Two Sisters
Digital painting and AI · project for a work on paper with manual intervention · 2026

Our Lady
Digital painting and AI · project for a work on paper with manual intervention · 2026

Our Lord
Digital painting and AI · project for a work on paper with manual intervention · 2026
From image to matter
Tearing in negative. A gold patch.
The digital image is not the finished object. Printed on paper, it is made unique through a physical act that removes, repairs and leaves evidence.

Negative tearing
In Nothing Close to Me the paper will be torn away. Tearing no longer supplies a fragment to paint over: absence itself becomes the intervention. Removing makes the work unique.

The Sleepers · gold-leaf patch
In Five Boys Sleeping on the Grass, the tear is joined by a patch of gold leaf. The wound is neither hidden nor restored: it is marked by another value and another light.
Continuities
Before and around STANZE
Four points of entry connect this corpus to Scognamiglio’s longer research into rooms, bodies, vulnerability and care.
- 01↗
Cycle of Rooms
The historical pictorial nucleus in which the room becomes psychic architecture.
- 02↗
The Gold Standard
Figures, rooms and gold as a measure of human presence.
- 03↗
A painted body is never only a body
A reflection on figure, identity and the politics of looking.
- 04↗
When art enters the healthcare system
Art, vulnerability and care beyond the protected space of the studio.
Works · exhibition · research
Enter the rooms with the studio.
For works, technical sheets, exhibition projects or a studio visit in Rome, write directly to the artist’s studio.
Contact the studio